Why is "J. Hoberman" trending?

Search Interest Perspective

• Ghosts of Amrum | J. Hoberman - The New York Review of Books
• Two “Films Maudit” with J. Hoberman - movingimage.org
• Text of Light: An Interview with J. Hoberman - Reverse Shot
• NYFF: The 1968 Edition - filmcomment.com
• Popcorn Pop - artforum.com
• ‘Star Spangled to Death’: Ken Jacobs’s History of the United States - The New York Times
• J. Hoberman · Desperate Character: Rambunctious R. Crumb - London Review of Books
• J. Hoberman Presents Return to Lecture Hall 6 - Buttondown
• ‘The Hole’: Urban Apocalypse as Tuneful Chamber Drama - The New York Times
• American Hardcore - filmcomment.com
• Ken Jacobs (1933–2025) - artforum.com
• Visconti’s ‘Bellissima’: Mama’s Going to See to It! - The New York Times
• Pen Pals: Vulgar Spirits - filmcomment.com
• ‘Center Stage’: A Star of Shanghai’s 1930s Heyday Is (Re)Born - The New York Times
• Sounds of Freedom: Soundtrack to a Coup d’Etat - filmcomment.com
• In ‘Nadja,’ Dracula’s Daughter Goes Downtown - The New York Times
• Heretical Heuristics: J. Hoberman and Ken Jacobs Explain the Movi-verse - filmcomment.com
• ‘Curse of the Seven Jackals’: A Film Made to Be Exhumed - The New York Times
• ‘Days and Nights in the Forest’: Into the Woods With Satyajit Ray - The New York Times
• ‘Viridiana’ Was Luis Buñuel’s Revenge - The New York Times
• "Everything is Now," J. Hoberman's New Book on 1960s New York, Reviewed - Air Mail
• Everything Is Now: A Conversation with J. Hoberman - screenslate.com
• Peter Watkins, Provocateur With a Movie Camera, Dies at 90 - The New York Times
• Light Years: Kent Jones on The Tree of Life - filmcomment.com
• ‘The Last of the Unjust,’ the New Film by the Director of ‘Shoah,’ Is a Moral and Aesthetic Blunder - Tablet Magazine
• J. Hoberman on 1960s New York, Protests, Alternative Press, and Sinners - The Film Stage
• J. Hoberman Reviews the Jewy Christmas Comedies ‘This Is 40,’ ‘The Guilt Trip,’ and ‘Parental Guidance’ - Tablet Magazine
• J. Hoberman - artforum.com
• Interview: J. Hoberman Talks Make My Day , Reagan, and ’80s Movie Culture - Slant Magazine
• J. Hoberman - artforum.com
• J. Hoberman - artforum.com
• THE WEEK IN THE BAY — SEPTEMBER 29, 2025 - screenslate.com
• PERFECT CHAOS: VERA CHYTILOVÁ’S SEDMIKRÁSKY (DAISIES) - artforum.com
• The Dank Underground | J. Hoberman - The New York Review of Books
• J. Hoberman - artforum.com
• Outsider’s Outsider | J. Hoberman - The New York Review of Books
• P. Adams Sitney (1944–2025) remembered by J. Hoberman - artforum.com
• Professor J. Hoberman '81 Examines the Birth of NYC's Underground Scene - Columbia School of the Arts
• Kenneth Anger (1927–2023) - artforum.com
• The sordid grandeur of Emilio Fernández’s Victims of Sin - artforum.com
• Shoah Unshowable - Tablet Magazine
• Jean-Marie Straub (1933–2022) - artforum.com
• When the New York Avant-Garde Started a Revolution (Published 2025) - The New York Times
• J. Hoberman: Darren Aronofsky’s ‘Noah’ Is a Hot, Wet, Cinematic Mess - Tablet Magazine
• The Beatles Effect | J. Hoberman - The New York Review of Books
• The Sixties Come Back to Life in “Everything Is Now” - The New Yorker
• J. Hoberman Reviews Marcin Wrona's New Dark Parable 'Demon' - Tablet Magazine
• J. Hoberman - artforum.com
• J. Hoberman Reviews Nadav Lapid's Insular New 'The Kindergarten Teacher' - Tablet Magazine
• ‘The Oak’: A Post-Communist Pinwheel (Published 2023) - The New York Times
• Chantal Akerman (1950-2015): J. Hoberman Remembers the Great Feminist Filmmaker - Tablet Magazine
• With ‘Él,’ Buñuel Turns His Gaze to Male Pathology (Published 2025) - The New York Times
• ‘Everything Is Now’ Digs Into NYC’s Avant-Garde Ferment - PopMatters
• J. Hoberman on the Best Films of 2024 - artforum.com
• J. Hoberman Reviews 'Listen Up Philip,' Starring Jason Schwartzman: 'Well-written, Strongly Acted, Often Funny' - Tablet Magazine
• The Strange and Wonderful Subcultures of 1960s New York - Jacobin
• Romanian Masquerades | J. Hoberman - The New York Review of Books
• Wang Bing, the World’s Hardest-Working Director - thenation.com
• Celebrating Jerry Lewis' 86th birthday - Tablet Magazine
• In 1960’s New York, the past was a foreign country — they sure did things differently there - The Forward
• End of an Era: J. Hoberman is Out at the Village Voice, Staffers Mourn Former Critic and Labor Leader’s Departure - observer.com
• A Master of Mixing and Matching Movies Gets a Citywide Tribute (Published 2021) - The New York Times
• Paradise Regained - The Criterion Collection
• What Is a “Political Film,” Anyway? - The New Republic
• Manoel de Oliveira’s The Strange Case of Angelica - artforum.com
• J. Hoberman - University at Albany
• Once Upon a Time in Downtown Manhattan - The Provincetown Independent
• J. Hoberman · First Movie in the White House: ‘Birth of a Nation’ - London Review of Books
• ‘Picnic at Hanging Rock’: A Classic Disappearing Act Reappears (Published 2025) - The New York Times
• Lessons For Film Critics From J. Hoberman - ScreenCrush
• Rififi: A Global Caper - The Criterion Collection
• J. Hoberman Reviews Joseph Cedar’s Oscar-Nominated ‘Footnote’ - Tablet Magazine
• Jaws - artforum.com
• America Infected: The Social (Distance) Catastrophe by J. Hoberman - The Paris Review
• J. Hoberman Reviews Laszlo Nemes’ Brutal Holocaust Film ‘Son of Saul’ - Tablet Magazine
• Jewish Pioneers Return to Poland: J. Hoberman on Yael Bartana - Tablet Magazine
• ‘Il Grido’: Love and Loss in Italy’s Po River Valley (Published 2024) - The New York Times
• J. Hoberman · A Particular Way of Looking: NeoRealismo - London Review of Books
• The Twinned Evils of ‘Nosferatu’ - Tablet Magazine
• J. Hoberman Reviews David Cronenberg’s ‘Maps to the Stars’ and Ari Folman’s ‘The Congress’ - Tablet Magazine
• J. Hoberman Reviews Shimon Dotan's 'Compelling' Film 'The Settlers' - Tablet Magazine
• Nicholas Ray’s Outsiders, on the Lam and Under the Gun (Published 2017) - The New York Times
• Fun City: NYC Gets Its Close-Up - The Criterion Collection
• American Abstract Sensationalism - artforum.com
• Unjust Cause - filmcomment.com
• ‘Everything Is Now’ Review: When Downtown Was Happening - WSJ
• J. Hoberman views film culture through the prism of politics - Wicked Local
• Kiss Me Deadly: The Thriller of Tomorrow - The Criterion Collection
• The Organizer: Description of a Struggle - The Criterion Collection
• The War of the Worlds: Sky on Fire - The Criterion Collection
• J. Hoberman on the Lack of Jews in Wes Anderson's 'The Grand Budapest Hotel' and James Gray's 'The Immigrant' - Tablet Magazine
• ‘The Sealed Soil’: Modesty and Its Discontents (Published 2025) - The New York Times
• In ‘Mikey and Nicky,’ Elaine May Nails a Pair of Desperate Characters (Published 2019) - The New York Times
• Artful Guises in the Belle Epoque (Published 2014) - The New York Times
• Sympathy for the Devil - Tablet Magazine
• Hoberman, Rosenbaum, and More - The Criterion Collection
• ‘Not a Pretty Picture’: A Director’s Unflinching Response to Trauma (Published 2024) - The New York Times
• ‘Linda Linda Linda’: These Girls Just Want to Have Fun (Published 2025) - The New York Times
• ‘One Sings, the Other Doesn’t’: Agnès Varda’s Polarizing Paean to Sisterhood (Published 2018) - The New York Times
• J. Hoberman’s Best Movies of the 21st Century - IndieWire